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This is fine when you process your raw file and move it into Photoshop immediately. If you’re like me, you mostly make decisions about adjustments on the spot. To not lose the healing work, I used the Photoshop Camera Raw Filter to make a quick adjustment. Once in Photoshop, and after a bit of healing work, I decided that I wanted to make the image a touch cooler and reduce the vibrancy as well. Final tweaks before finishing your image.Make quick, extreme adjustments for certain parts of your image.Make certain adjustments easier than in Photoshop.But here are a few potential uses that I find myself using often. With all of the power of ACR behind the Photoshop Camera Raw filter, there is no way to make anything resembling a complete list of what you could do with it. However, it illustrates the importance of getting things as close to right as possible while in the raw stage of post-processing. This means you will have less information to work with, such as, dynamic range. Instead, the process will be more akin to working on a JPG file in Lightroom or ACR.
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It’s also important to realize that because you are not working with a raw file at this stage, you won’t have the same versatility that you would with a raw file in ACR. In the various menus of the Photoshop Camera Raw Filter, you will find there are a few options missing that you would see in ACR.
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